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ABOUT
ARTISTS
JAN ALBERS
JAMES CASEBERE
HELMUT FEDERLE
ERIC FISCHL
NATALIE GUY
SAM HARRISON
JACQUELINE HUMPHRIES
ERIN LAWLOR
IMI KNOEBEL
GARY McMILLAN
LEIGH MARTIN
CEARA METLIKOVEC
TOMISLAV NIKOLIC
TONY OURSLER
JUDE RAE
WINSTON ROETH
FRED SANDBACK
GEOFF THORNLEY
AIDA TOMESCU
GÜNTER UMBERG
ELISABETH VARY
JUDITH WRIGHT
COEN YOUNG
PROJECTS
THE AUTHORITY OF DEATH
A DISCREET VESSEL
CARBON
UN-THINKING VISION
OCULAR FUSION
PINK
SATURATION
POINTS OF ORIENTATION
THE ARCHITECTURE OF COLOUR
FARBEN
NAKED
E=MC2
THERE’S JOY IN REPETITION
DETOX
MELANCHOLIA
VISCOSITY
LUX
6 DEGREES OF SEPARATION
CIMMERIAN SHADE
ARCHIVE
2017
SEPTEMBER – JUDE RAE – SYDNEY
AUGUST – GEOFF THORNLEY – AUCKLAND
JULY – SAM HARRISON – SYDNEY
JULY – ROT – AUCKLAND
MAY – CEARA METLIKOVEC – AUCKLAND
APRIL – GUNTER UMBERG – SYDNEY
APRIL – SAM HARRISON – AUCKLAND
MARCH – WINSTON ROETH – SYDNEY
MARCH – THE ANATOMY OF GESTURE – AUCKLAND
FEBRUARY – CARBON – SYDNEY
FEBRUARY – IMI KNOEBEL – AUCKLAND
2016
NOVEMBER – A DISCREET VESSEL – SYDNEY
NOVEMBER – COEN YOUNG – AUCKLAND
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – SOFT ALCHEMY – AUCKLAND
SEPTEMBER – LEIGH MARTIN – SYDNEY
SEPTEMBER – OCULAR FUSION – AUCKLAND
AUGUST – NATALIE GUY – AUCKLAND
JULY – IMI KNOEBEL – SYDNEY
JULY – A DISCREET VESSEL – AUCKLAND
JUNE – CHROMOFFECTION – AUCKLAND
APRIL – GEOFF THORNLEY -SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
MARCH – THE AUTHORITY OF DEATH – AUCKLAND
MARCH – JUDITH WRIGHT – SYDNEY
FEBRUARY – LEIGH MARTIN – AUCKLAND
2015
DECEMBER – PINK – SYDNEY
NOVEMBER – SAM HARRISON – AUCKLAND
OCTOBER – THE AUTHORITY OF DEATH – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
SEPTEMBER – JUDE RAE – SYDNEY
SEPTEMBER – GEOFF THORNLEY – AUCKLAND
AUGUST – COEN YOUNG. LEIGH MARTIN. WINSTON ROETH – AUCKLAND
JULY – GEOFF THORNLEY. VOICE OF MIMESIS – SYDNEY
JULY – CURRENT – AUCKLAND
MAY – C6H1005 – SYDNEY
MAY – COEN YOUNG – AUCKLAND
MARCH – WINSTON ROETH – SYDNEY
APRIL – NATALIE GUY – AUCKLAND
MARCH – PAINTINGS WELL AFTER FORMALSIM – AUCKLAND
FEBRUARY – SAM HARRISON – SYDNEY
2014
NOVEMBER – UN-THINKING VISION – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – JUDITH WRIGHT – AUCKLAND
SEPTEMBER – SAM HARRISON – AUCKLAND
SEPTEMBER – EXHIBITION – AUCKLAND
AUGUST – MELISSA COOTE – SYDNEY
JULY – FARBEN – SYDNEY
JULY – MELISSA COOTE – AUCKLAND
JUNE – COLOUR POEMS – AUCKLAND
MAY – JAMES CASEBERE – SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
APRIL – TOMISLAV NIKOLIC – SYDNEY
MARCH – FIREFLY – AUCKLAND
FEBRUARY – JUDE RAE – SYDNEY
FEBRUARY – IMI KNOEBEL – AUCKLAND
2013
NOVEMBER – RIM -SYDNEY
NOVEMBER – JUDE RAE – AUCKLAND
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
AUGUST – LEIGH MARTIN – AUCKLAND
JULY – SAM HARRISON – SYDNEY
JULY – THE ARCHITECTURE OF COLOUR – AUCKLAND
JUNE – THE ANATOMY OF LOSS -AUCKLAND
MAY – POINTS OF ORIENTATION – SYDNEY
MARCH – JUDITH WRIGHT – SYDNEY
FEBRUARY – WINSTON ROETH – SYDNEY
APRIL – LEIGH MARTIN – AUCKLAND
MARCH – WINSTON ROETH. TOMISLAV NIKOLIC. IMI KNOEBEL. GEOFF THORNLEY – AUCKLAND
FEBRUARY – JUDITH WRIGHT – AUCKLAND
2012
NOVEMBER – GEOFF THORNLEY – AUCKLAND
NOVEMBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – JUDE RAE – SYDNEY
AUGUST – JUDE RAE – AUCKLAND
OCTOBER – SAM HARRISON – AUCKLAND
SEPTEMBER – SATURATION – SYDNEY
JULY – TONY OURSLER – AUCKLAND
JULY – TONY OURSLER – SYDNEY
JUNE – C6H10O5 V – AUCKLAND
MAY – MALEREI – SYDNEY
MARCH – THE ARCHITECTURE OF COLOUR – SYDNEY
MARCH -TOMISLAV NIKOLIC – AUCKLAND
FEBRUARY – FRED SANDBACK – SYDNEY
FEBRUARY – THE TRUTH THAT LIES TELL – AUCKLAND
2011
NOVEMBER – THE ESTRANGEMENT OF JUDGEMENT – SYDNEY
NOVEMBER – GEOFF THORNLEY – AUCKLAND
OCTOBER – SAM HARRISON – SYDNEY
SEPTEMBER – JUDE RAE – SYDNEY
SEPTEMBER – LISA CROWLEY – AUCKLAND
AUGUST – JUDE RAE – AUCKLAND
JULY – LEIGH MARTIN – SYDNEY
JULY – LEIGH MARTIN – AUCKLAND
JUNE – E=MC2 – SYDNEY
JUNE – SAM HARRISON – AUCKLAND
MAY – CALLUM INNES – AUCKLAND
APRIL – NAKED – SYDNEY
MARCH – SUBJECT AS OBJECT: CONSIDERING PORTRAITURE – AUCKLAND
MARCH – CALLUM INNES – SYDNEY
FEBRUARY – WINSTON ROETH –
2010
NOVEMBER – SAM HARRISON – AUCKLAND
OCTOBER – JUDE RAE – AUCKLAND
SEPTEMBER – CIMMERIAN SHADE – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
MAY – NAKED – AUCKLAND
MARCH – GüNTER UMBERG & ELISABETH VARY – AUCKLAND
FEBRUARY – KELLY KNOEBEL ROETH INNES JUDD – AUCKLAND
2009
AUGUST – LEIGH MARTIN – AUCKLAND
JULY – THE ESTRANGEMENT OF JUDGEMENT – AUCKLAND
JUNE – C6 H10 05 IV – AUCKLAND
APRIL E=MC2
MARCH – JUDE RAE – AUCKLAND
FEBRUARY – WINSTON ROETH -AUCKLAND
2008
SEPTEMBER – LISA CROWLEY – AUCKLAND
AUGUST – CALLUM INNES – AUCKLAND
JUNE – TONY OURSLER – AUCKLAND
MAY – FRED SANDBACK – AUCKLAND
MARCH – 20/20 – AUCKLAND
JANUARY – JAMES CASEBERE – AUCKLAND
2007
NOVEMBER – JACQUELINE HUMPHRIES – AUCKLAND
SEPTEMBER – JUDE RAE – AUCKLAND
JULY – VISCOSITY – AUCKLAND
MARCH – HEADSPACE -AUCKLAND
2006
NOVEMBER – WINSTON ROETH – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
APRIL – C6 H10 O5 III – AUCKLAND
MARCH – JUDE RAE – AUCKLAND
FEBRUARY – DETOX – AUCKLAND
2005
DECEMBER – MELANCHOLIA – AUCKLAND
JULY – JIM SPEERS – AUCKLAND
JUNE – JUDE RAE – AUCKLAND
APRIL – CALLUM INNES – AUCKLAND
2004
OCTOBER – THE PERSISTENCE OF MEMORY – AUCKLAND
AUGUST – C6 H10 O5 II – AUCKLAND
APRIL – THERE’S JOY IN REPETITION – AUCKLAND
2003
AUGUST – FARBEN – AUCKLAND
2002
JUNE – POINTS OF ORIENTATION – AUCKLAND
2001
JANUARY – 6 DEGREES OF SEPARATION – AUCKLAND
CONTACT
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
Tomislav Nikolic, Installation - 7: the inflow of that which is to be revealed never ceases acrylic and marble dust on canvas and wood 59.4 x 72 x 2.8 cm. Private collection
Tomislav Nikolic, 1: the succumbing of the revelation to the prevailing illusion, acrylic and marble dust on canvas and wood 127 x 108 x 9 cm
Tomislav Nikolic, 1: the succumbing of the revelation to the prevailing illusion (detail), acrylic and marble dust on canvas and wood 127 x 108 x 9 cm
Tomislav Nikolic, 2: its descent into the world of glamour museum galss, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm Private collection, Auckland, New Zealand
Tomislav Nikolic, 2: its descent into the world of glamour museum glass, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm
Tomislav Nikolic, 2: its descent into the world of glamour (detail) museum glass, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm Private collection, Auckland, New Zealand
Tomislav Nikolic, 3: its subsequent disappearance as a revelation glass, caplain gold leaf, acrylic and marble dust on paper and wood 52.5 x 43 x 5 cm
Tomislav Nikolic, 4: its emergence as a doctrine acrylic, marble dust and 24ct gold leaf on canvas and wood 41 x 43.5 x 5 cm
Tomislav Nikolic, 4: its emergence as a doctrine acrylic, marble dust and 24ct gold leaf on canvas and wood 41 x 43.5 x 5 cm
Tomislav Nikolic, 5: but in the meantime, humanity has been helped and led forward acrylic, marble dust and 18ct green gold leaf on canvas and wood 80 x 85.5 x 4 cm
Tomislav Nikolic, 5: but in the meantime, humanity has been helped and led forward acrylic, marble dust and 18ct green gold leaf on canvas and wood 80 x 85.5 x 4 cm
6: the intuitives continue to work acrylic, marble dust and 22ct gold leaf on canvas and wood 137.5 x 180 x 7.5 cm Private collection
Tomislav Nikolic, 6: the intuitives continue to work (detail) acrylic, marble dust and 22ct gold leaf on canvas and wood 137.5 x 180 x 7.5 cm Private collection
Tomislav Nikolic, 7: the inflow of that which is to be revealed never ceases acrylic and marble dust on canvas and wood 59.4 x 72 x 2.8 cm
