ABOUT
ARTISTS
JAN ALBERS
MATTHEW ALLEN
JANE BUSTIN
LAWRENCE CARROLL
JAMES CASEBERE
HELMUT FEDERLE
ERIC FISCHL
NATALIE GUY
JACQUELINE HUMPHRIES
ERIN LAWLOR
PEP LLAMBIAS
IMI KNOEBEL
HANNS KUNITZBERGER
GARY McMILLAN
CEARA METLIKOVEC
TOMISLAV NIKOLIC
TONY OURSLER
AIKO ROBINSON
WINSTON ROETH
FRED SANDBACK
GEOFF THORNLEY
AIDA TOMESCU
JENNY TOPFER
GÜNTER UMBERG
ELISABETH VARY
JUDITH WRIGHT
COEN YOUNG
PROJECTS
CELEBRATING 30 YEARS
THE AUTHORITY OF DEATH
A DISCREET VESSEL
CARBON
UN-THINKING VISION
OCULAR FUSION
PINK
SATURATION
POINTS OF ORIENTATION
THE ARCHITECTURE OF COLOUR
FARBEN
NAKED
E=MC2
THERE’S JOY IN REPETITION
DETOX
MELANCHOLIA
VISCOSITY
LUX
6 DEGREES OF SEPARATION
CIMMERIAN SHADE
ARCHIVE
2019
MAY – EROS – SYDNEY
MAY – EVENFALL – AUCKLAND
APRIL – JAN ALBERS – AUCKLAND
APRIL – JANE BUSTIN – SYDNEY
FEBRUARY – PEP LLAMBIAS – SYDNEY
FEBRUARY – WET WET WET -AUCKLAND
2018
NOVEMBER – GEOFF THORNLEY – SYDNEY
NOVEMBER – XS – AUCKLAND
OCTOBER – CEARA METLIKOVEC – SYDNEY
SEPTEMBER – PORTRAIT WITHOUT A FACE – AUCKLAND
AUGUST – GARY McMILLAN – AUCKLAND
AUGUST – TOMISLAV NIKOLIC – SYDNEY
JULY – JUDITH WRIGHT – SYDNEY
JULY – ERIN LAWLOR – AUCKLAND
JUNE – PORTRAIT WITHOUT A FACE – SYDNEY
JUNE – ASH KEATING – AUCKLAND
MAY – MATTHEW ALLEN – AUCKLAND
APRIL – JAN ALBERS – SYDNEY
FEBRUARY – ERIN LAWLOR – SYDNEY
FEBRUARY – CARBON – AUCKLAND
FEBRUARY – JAN ALBERS, MATTHEW ALLEN, CALLUM INNES – SYDNEY
2017
NOVEMBER – BLUE – AUCKLAND
OCTOBER – AIDA TOMESCU – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
AUGUST – GEOFF THORNLEY – AUCKLAND
JULY – ROT – AUCKLAND
MAY – CEARA METLIKOVEC – AUCKLAND
APRIL – GUNTER UMBERG – SYDNEY
MARCH – WINSTON ROETH – SYDNEY
MARCH – THE ANATOMY OF GESTURE – AUCKLAND
FEBRUARY – CARBON – SYDNEY
FEBRUARY – IMI KNOEBEL – AUCKLAND
2016
NOVEMBER – A DISCREET VESSEL – SYDNEY
NOVEMBER – COEN YOUNG – AUCKLAND
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – SOFT ALCHEMY – AUCKLAND
SEPTEMBER – OCULAR FUSION – AUCKLAND
AUGUST – NATALIE GUY – AUCKLAND
JULY – IMI KNOEBEL – SYDNEY
JULY – A DISCREET VESSEL – AUCKLAND
JUNE – CHROMOFFECTION – AUCKLAND
APRIL – GEOFF THORNLEY -SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
MARCH – THE AUTHORITY OF DEATH – AUCKLAND
MARCH – JUDITH WRIGHT – SYDNEY
2015
DECEMBER – PINK – SYDNEY
OCTOBER – THE AUTHORITY OF DEATH – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
SEPTEMBER – GEOFF THORNLEY – AUCKLAND
AUGUST – COEN YOUNG. LEIGH MARTIN. WINSTON ROETH – AUCKLAND
JULY – GEOFF THORNLEY. VOICE OF MIMESIS – SYDNEY
JULY – CURRENT – AUCKLAND
MAY – C6H1005 – SYDNEY
MAY – COEN YOUNG – AUCKLAND
MARCH – WINSTON ROETH – SYDNEY
APRIL – NATALIE GUY – AUCKLAND
MARCH – PAINTINGS WELL AFTER FORMALSIM – AUCKLAND
2014
NOVEMBER – UN-THINKING VISION – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – JUDITH WRIGHT – AUCKLAND
SEPTEMBER – EXHIBITION – AUCKLAND
JULY – FARBEN – SYDNEY
JUNE – COLOUR POEMS – AUCKLAND
MAY – JAMES CASEBERE – SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
APRIL – TOMISLAV NIKOLIC – SYDNEY
MARCH – FIREFLY – AUCKLAND
FEBRUARY – IMI KNOEBEL – AUCKLAND
2013
NOVEMBER – RIM -SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
JULY – THE ARCHITECTURE OF COLOUR – AUCKLAND
JUNE – THE ANATOMY OF LOSS -AUCKLAND
MAY – POINTS OF ORIENTATION – SYDNEY
MARCH – JUDITH WRIGHT – SYDNEY
FEBRUARY – WINSTON ROETH – SYDNEY
MARCH – WINSTON ROETH. TOMISLAV NIKOLIC. IMI KNOEBEL. GEOFF THORNLEY – AUCKLAND
FEBRUARY – JUDITH WRIGHT – AUCKLAND
2012
NOVEMBER – GEOFF THORNLEY – AUCKLAND
NOVEMBER – TOMISLAV NIKOLIC – SYDNEY
SEPTEMBER – SATURATION – SYDNEY
JULY – TONY OURSLER – AUCKLAND
JULY – TONY OURSLER – SYDNEY
JUNE – C6H10O5 V – AUCKLAND
MAY – MALEREI – SYDNEY
MARCH – THE ARCHITECTURE OF COLOUR – SYDNEY
MARCH -TOMISLAV NIKOLIC – AUCKLAND
FEBRUARY – FRED SANDBACK – SYDNEY
FEBRUARY – THE TRUTH THAT LIES TELL – AUCKLAND
2011
NOVEMBER – THE ESTRANGEMENT OF JUDGEMENT – SYDNEY
NOVEMBER – GEOFF THORNLEY – AUCKLAND
JUNE – E=MC2 – SYDNEY
MAY – CALLUM INNES – AUCKLAND
APRIL – NAKED – SYDNEY
MARCH – SUBJECT AS OBJECT: CONSIDERING PORTRAITURE – AUCKLAND
MARCH – CALLUM INNES – SYDNEY
FEBRUARY – WINSTON ROETH –
2010
SEPTEMBER – CIMMERIAN SHADE – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
MAY – NAKED – AUCKLAND
MARCH – GüNTER UMBERG & ELISABETH VARY – AUCKLAND
FEBRUARY – KELLY KNOEBEL ROETH INNES JUDD – AUCKLAND
2009
JULY – THE ESTRANGEMENT OF JUDGEMENT – AUCKLAND
JUNE – C6 H10 05 IV – AUCKLAND
APRIL E=MC2
FEBRUARY – WINSTON ROETH -AUCKLAND
2008
AUGUST – CALLUM INNES – AUCKLAND
JUNE – TONY OURSLER – AUCKLAND
MAY – FRED SANDBACK – AUCKLAND
MARCH – 20/20 – AUCKLAND
JANUARY – JAMES CASEBERE – AUCKLAND
2007
NOVEMBER – JACQUELINE HUMPHRIES – AUCKLAND
JULY – VISCOSITY – AUCKLAND
MARCH – HEADSPACE -AUCKLAND
2006
NOVEMBER – WINSTON ROETH – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
APRIL – C6 H10 O5 III – AUCKLAND
FEBRUARY – DETOX – AUCKLAND
2005
DECEMBER – MELANCHOLIA – AUCKLAND
APRIL – CALLUM INNES – AUCKLAND
2004
OCTOBER – THE PERSISTENCE OF MEMORY – AUCKLAND
AUGUST – C6 H10 O5 II – AUCKLAND
APRIL – THERE’S JOY IN REPETITION – AUCKLAND
2003
AUGUST – FARBEN – AUCKLAND
2002
JUNE – POINTS OF ORIENTATION – AUCKLAND
2001
JANUARY – 6 DEGREES OF SEPARATION – AUCKLAND
UPCOMING
JULY/AUGUST – 2019
CONTACT
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
Tomislav Nikolic, Installation - 7: the inflow of that which is to be revealed never ceases acrylic and marble dust on canvas and wood 59.4 x 72 x 2.8 cm. Private collection
Tomislav Nikolic, 1: the succumbing of the revelation to the prevailing illusion, acrylic and marble dust on canvas and wood 127 x 108 x 9 cm
Tomislav Nikolic, 1: the succumbing of the revelation to the prevailing illusion (detail), acrylic and marble dust on canvas and wood 127 x 108 x 9 cm
Tomislav Nikolic, 2: its descent into the world of glamour museum galss, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm Private collection, Auckland, New Zealand
Tomislav Nikolic, 2: its descent into the world of glamour museum glass, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm
Tomislav Nikolic, 2: its descent into the world of glamour (detail) museum glass, 22.5ct champagne gold leaf, acrylic and marble dust on canvas and wood 87.8 x 78 x 10.5 cm Private collection, Auckland, New Zealand
Tomislav Nikolic, 3: its subsequent disappearance as a revelation glass, caplain gold leaf, acrylic and marble dust on paper and wood 52.5 x 43 x 5 cm
Tomislav Nikolic, 4: its emergence as a doctrine acrylic, marble dust and 24ct gold leaf on canvas and wood 41 x 43.5 x 5 cm
Tomislav Nikolic, 4: its emergence as a doctrine acrylic, marble dust and 24ct gold leaf on canvas and wood 41 x 43.5 x 5 cm
Tomislav Nikolic, 5: but in the meantime, humanity has been helped and led forward acrylic, marble dust and 18ct green gold leaf on canvas and wood 80 x 85.5 x 4 cm
Tomislav Nikolic, 5: but in the meantime, humanity has been helped and led forward acrylic, marble dust and 18ct green gold leaf on canvas and wood 80 x 85.5 x 4 cm
6: the intuitives continue to work acrylic, marble dust and 22ct gold leaf on canvas and wood 137.5 x 180 x 7.5 cm Private collection
Tomislav Nikolic, 6: the intuitives continue to work (detail) acrylic, marble dust and 22ct gold leaf on canvas and wood 137.5 x 180 x 7.5 cm Private collection
Tomislav Nikolic, 7: the inflow of that which is to be revealed never ceases acrylic and marble dust on canvas and wood 59.4 x 72 x 2.8 cm
