ABOUT
ARTISTS
JAN ALBERS
MATTHEW ALLEN
JANE BUSTIN
LAWRENCE CARROLL
JAMES CASEBERE
BILL CULBERT
KOEN DELAERE
HELMUT FEDERLE
MARK FRANCIS
TODD HUNTER
SHILA KHATAMI
IMI KNOEBEL
HANNS KUNITZBERGER
ERIN LAWLOR
ROBERT MALHERBE
GARY McMILLAN
SOFIE MULLER
TOMISLAV NIKOLIC
TONY OURSLER
WINSTON ROETH
GIDEON RUBIN
FRED SANDBACK
GEOFF THORNLEY
AIDA TOMESCU
JENNY TOPFER
GÜNTER UMBERG
ELISABETH VARY
JUDITH WRIGHT
LIAT YOSSIFOR
COEN YOUNG
PROJECTS
No One’s Rose
PORTRAIT WITHOUT A FACE
RAVEN
NEXUS
PERMAFROST
CELEBRATING 30 YEARS
EROS
PORTRAIT WITHOUT A FACE
THE AUTHORITY OF DEATH
A DISCREET VESSEL
CARBON
OCULAR FUSION
PINK
SATURATION
POINTS OF ORIENTATION
THE ARCHITECTURE OF COLOUR
FARBEN
NAKED
E=MC2
THERE’S JOY IN REPETITION
DETOX
MELANCHOLIA
VISCOSITY
LUX
6 DEGREES OF SEPARATION
CIMMERIAN SHADE
ARCHIVE
2024
GARY McMILLAN – CITY IN PROGRESS
Rain
BILL CULBERT – A BRIGHT WHITE LIGHT
GEOFF THORNLEY – measure of.
MARK FRANCIS HARMONIC FIELDS
Gideon Rubin The Anatomy of Seeing
FOX JENSEN/SYDNEY & FOX JENSEN McCRORY – ART BASEL HONG KONG 2024
ERIN LAWLOR – ARIADNE’S THREAD
2023
No One’s Rose
TOMISLAV NIKOLIC – Being’s Believin’
MATTHEW ALLEN – UMBRA – AUCKLAND
rEdEdgEs
PORTRAIT WITHOUT A FACE
NINA WARING – DOG DAY AFTERNOON
NEXUS
TODD HUNTER – REMAIN IN LIGHT – AUCKLAND
SNOWBLIND
KOEN DELAERE – WHITE LIGHT WHITE HEAT
2022
PLASTIC SOUL – AUCKLAND
NOVEMBER – AIDA TOMESCU – SYDNEY
TERRAIN
GARY McMILLAN – OUTSIDE
RED SEA
DELUXE – IMI KNOEBEL & WINSTON ROETH
MARCH – COEN YOUNG – AUCKLAND
FEBRUARY – CALLUM INNES – ALEXANDRIA
FEBRUARY – FIRST SATURDAY – PADDINGTON
FEBRUARY – BILL CULBERT – AUCKLAND
2021
NOVEMBER – RAVEN – ALEXANDRIA
NOVEMBER – RAVEN – PADDINGTON
OCTOBER – HELLO – AUCKLAND
JUNE – JANE BUSTIN – AUCKLAND
JUNE – AIDA TOMESCU – SYDNEY
JUNE – RAVEN – AUCKLAND
MAY – ELISABETH VARY – PADDINGTON
MAY – GÜNTER UMBERG & JAMES WHITE CONVERSATION/S – SYDNEY
MAY – JENNY TOPFER – AUCKLAND
MARCH – SOFIE MULLER – SYDNEY
MARCH – TOMISLAV NIKOLIC – AUCKLAND
FEBRUARY – GIDEON RUBIN – SYDNEY
FEBRUARY – GIDEON RUBIN – AUCKLAND
2020
DECEMBER – BURROWS ROAD – ALEXANDRIA
NOVEMBER – LUMINOSITY – AUCKLAND
OCTOBER – HANNS KUNITZBERGER – ALEXANDRIA
OCTOBER – GARY McMILLAN – AUCKLAND
SEPTEMBER – GÜNTER UMBERG – SYDNEY
JULY – LIAT YOSSIFOR – SYDNEY
JULY – MATTHEW ALLEN – AUCKLAND
JUNE – FRED SANDBACK – SYDNEY
JUNE – ERIN LAWLOR – AUCKLAND
MARCH – ANALOGUE – AUCKLAND
FEBRUARY – LAWRENCE CARROLL – SYDNEY
JANUARY – AIDA TOMESCU – AUCKLAND
2019
NOVEMBER – GEOFF THORNLEY – AUCKLAND
NOVEMBER – JENNY TOPFER – SYDNEY
OCTOBER – WINSTON ROETH – AUCKLAND
OCTOBER – MATTHEW ALLEN – SYDNEY
SEPTEMBER – IMI KNOEBEL – AUCKLAND
SEPTEMBER – PERMAFROST – SYDNEY
SEPTEMBER – AIDA TOMESCU – SYDNEY
AUGUST – TOMISLAV NIKOLIC – AUCKLAND
JULY – TONY OURSLER – SYDNEY
JULY – EROS – AUCKLAND
MAY – EROS – SYDNEY
MAY – EVENFALL – AUCKLAND
APRIL – JAN ALBERS – AUCKLAND
APRIL – JANE BUSTIN – SYDNEY
FEBRUARY – PEP LLAMBIAS – SYDNEY
FEBRUARY – WET WET WET -AUCKLAND
2018
NOVEMBER – GEOFF THORNLEY – SYDNEY
NOVEMBER – XS – AUCKLAND
SEPTEMBER – PORTRAIT WITHOUT A FACE – AUCKLAND
AUGUST – GARY McMILLAN – AUCKLAND
AUGUST – TOMISLAV NIKOLIC – SYDNEY
JULY – JUDITH WRIGHT – SYDNEY
JULY – ERIN LAWLOR – AUCKLAND
JUNE – PORTRAIT WITHOUT A FACE – SYDNEY
JUNE – ASH KEATING – AUCKLAND
MAY – MATTHEW ALLEN – AUCKLAND
APRIL – JAN ALBERS – SYDNEY
FEBRUARY – ERIN LAWLOR – SYDNEY
FEBRUARY – CARBON – AUCKLAND
FEBRUARY – JAN ALBERS, MATTHEW ALLEN, CALLUM INNES – SYDNEY
2017
NOVEMBER – BLUE – AUCKLAND
OCTOBER – AIDA TOMESCU – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
AUGUST – GEOFF THORNLEY – AUCKLAND
JULY – ROT – AUCKLAND
APRIL – GUNTER UMBERG – SYDNEY
MARCH – WINSTON ROETH – SYDNEY
MARCH – THE ANATOMY OF GESTURE – AUCKLAND
FEBRUARY – CARBON – SYDNEY
FEBRUARY – IMI KNOEBEL – AUCKLAND
2016
NOVEMBER – A DISCREET VESSEL – SYDNEY
NOVEMBER – COEN YOUNG – AUCKLAND
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – SOFT ALCHEMY – AUCKLAND
SEPTEMBER – OCULAR FUSION – AUCKLAND
JULY – IMI KNOEBEL – SYDNEY
JULY – A DISCREET VESSEL – AUCKLAND
JUNE – CHROMOFFECTION – AUCKLAND
APRIL – GEOFF THORNLEY -SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
MARCH – THE AUTHORITY OF DEATH – AUCKLAND
MARCH – JUDITH WRIGHT – SYDNEY
2015
DECEMBER – PINK – SYDNEY
OCTOBER – THE AUTHORITY OF DEATH – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
SEPTEMBER – GEOFF THORNLEY – AUCKLAND
JULY – GEOFF THORNLEY. VOICE OF MIMESIS – SYDNEY
JULY – CURRENT – AUCKLAND
MAY – C6H1005 – SYDNEY
MAY – COEN YOUNG – AUCKLAND
MARCH – WINSTON ROETH – SYDNEY
MARCH – PAINTINGS WELL AFTER FORMALSIM – AUCKLAND
2014
NOVEMBER – UN-THINKING VISION – SYDNEY
OCTOBER – TOMISLAV NIKOLIC – SYDNEY
OCTOBER – JUDITH WRIGHT – AUCKLAND
SEPTEMBER – EXHIBITION – AUCKLAND
JULY – FARBEN – SYDNEY
JUNE – COLOUR POEMS – AUCKLAND
MAY – JAMES CASEBERE – SYDNEY
APRIL – GEOFF THORNLEY – AUCKLAND
APRIL – TOMISLAV NIKOLIC – SYDNEY
MARCH – FIREFLY – AUCKLAND
FEBRUARY – IMI KNOEBEL – AUCKLAND
2013
NOVEMBER – RIM -SYDNEY
OCTOBER – TOMISLAV NIKOLIC – AUCKLAND
JULY – THE ARCHITECTURE OF COLOUR – AUCKLAND
JUNE – THE ANATOMY OF LOSS -AUCKLAND
MAY – POINTS OF ORIENTATION -SYDNEY
MARCH – JUDITH WRIGHT – SYDNEY
FEBRUARY – WINSTON ROETH – SYDNEY
MARCH – WINSTON ROETH. TOMISLAV NIKOLIC. IMI KNOEBEL. GEOFF THORNLEY – AUCKLAND
FEBRUARY – JUDITH WRIGHT – AUCKLAND
2012
NOVEMBER – GEOFF THORNLEY – AUCKLAND
NOVEMBER – TOMISLAV NIKOLIC – SYDNEY
SEPTEMBER – SATURATION – SYDNEY
JULY – TONY OURSLER – AUCKLAND
JULY – TONY OURSLER – SYDNEY
JUNE – C6H10O5 V – AUCKLAND
MAY – MALEREI – SYDNEY
MARCH – THE ARCHITECTURE OF COLOUR – SYDNEY
MARCH -TOMISLAV NIKOLIC – AUCKLAND
FEBRUARY – FRED SANDBACK – SYDNEY
FEBRUARY – THE TRUTH THAT LIES TELL – AUCKLAND
2011
NOVEMBER – THE ESTRANGEMENT OF JUDGEMENT – SYDNEY
NOVEMBER – GEOFF THORNLEY – AUCKLAND
JUNE – E=MC2 – SYDNEY
APRIL – NAKED – SYDNEY
MARCH – SUBJECT AS OBJECT: CONSIDERING PORTRAITURE – AUCKLAND
MARCH – CALLUM INNES – SYDNEY
FEBRUARY – WINSTON ROETH –
2010
SEPTEMBER – CIMMERIAN SHADE – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
MAY – NAKED – AUCKLAND
MARCH – GüNTER UMBERG & ELISABETH VARY – AUCKLAND
FEBRUARY – KELLY KNOEBEL ROETH INNES JUDD – AUCKLAND
2009
JULY – THE ESTRANGEMENT OF JUDGEMENT – AUCKLAND
JUNE – C6 H10 05 IV – AUCKLAND
APRIL – E=MC2 – AUCKLAND
FEBRUARY – WINSTON ROETH -AUCKLAND
2008
AUGUST – CALLUM INNES – AUCKLAND
JUNE – TONY OURSLER – AUCKLAND
MAY – FRED SANDBACK – AUCKLAND
MARCH – 20/20 – AUCKLAND
JANUARY – JAMES CASEBERE – AUCKLAND
2007
NOVEMBER – JACQUELINE HUMPHRIES – AUCKLAND
JULY – VISCOSITY – AUCKLAND
MARCH – HEADSPACE -AUCKLAND
2006
NOVEMBER – WINSTON ROETH – AUCKLAND
JULY – TONY OURSLER – AUCKLAND
APRIL – C6 H10 O5 III – AUCKLAND
FEBRUARY – DETOX – AUCKLAND
2005
DECEMBER – MELANCHOLIA – AUCKLAND
APRIL – CALLUM INNES – AUCKLAND
2004
AUGUST – C6 H10 O5 II – AUCKLAND
APRIL – THERE’S JOY IN REPETITION – AUCKLAND
CONTACT
MAY – POINTS OF ORIENTATION – SYDNEY
Points of Orientation. Installation View 2
Winston Roeth, Two Moons 2010, tempera on dibond panel 2170 x 1070 mm
Casa Grandes, polychrome vessel Olla, Eagle Creek, Arizona c1300 - 1400 A.D
Josef Albers (1988 - 1976) Homage to the Square: "Impartial", 1966 Polyvinyl acetate in toleven on masonite. 122.2 x 122.2 cm
Points of Orientation. Installation View 3
Chinese scholar stone with carved rosewood base 34 x 22 x 14 cm
Tomislav Nikolic. Points of Orientation. Installation View 4
Tomislav Nikolic, 6: Tainted Hearts Heal with Time, 2013 (detail) Acrylic, marble dust , 22ct moon gold on canvas and wood 153 x 140 x 7.5 cm
Japanese Votive Painting on Wood 22 x 28.5 cm Private Collection
Points of Orientation. Installation View 6 (detail)
Blackfoot Ceremonial Shaman Robe c. 1840-1860 (detail) Snapped glass beads and shells, hand sewn on hand woven cloth 97 x 66 cm
Isabel Nolan, Kiss the Machine, 2011 Steel, cotton, silk-blend and MDF 125 x 133 x 78 cm object.
Isabel Nolan, Kiss the Machine, 2011 Steel, cotton, silk-blend and MDF 125 x 133 x 78 cm object.
Günter Umberg, No title, 1992 Pigment, dammar on wood 219.5 x 70.5 x 4 cm
Karin Sander, Wallwork, Installation view
Chinese Guam Vessel, Banshan Phase painted earthenware pottery jar 3000 B.C. 25 x 55 x 42 cm
Points of Orientation. Installation View
Helmut Federle, Cornerfield IL, 2001 Oil on linen 50 x 60 cm
Points of Orientation. Installation View
Helmut Federle, Basics on Composition XII, 1991 Oil on linen 40 x 50 cm
Neolith pot with strap handles c. 1300 B.C burnished black clay 17 x 17.5 x 14 cm
North African robe
Chalcolithic or Early Bronze Age circa 4th / 3rd Millennium B.C.
Kakemono (scroll) 'Courtesan in the Snow' Late 18th Century Private Collection, Wellington
Installation view
Burmese Buddha head 18th century
Double headed Syrian terracotta idol 2nd millennium B.C
Isabel Nolan, Holding it in 2011, steel, paint, MDF object 26 x 55 x 42 cm
Isabel Nolan, Holding it in 2011, steel, paint, MDF object 26 x 55 x 42 cm
LAWRENCE CARROLL
TO FOX JENSEN & FOX JENSEN McCRORY
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